Jun 1, 2010

Minute by Minute Commentary

Friend: Why are you not updating anything on Facebook?
Me: I don't know. What is there to update anyway?
Friend: So many things! Like that trip you went on 2 weeks back, India's T20 matches etc. You have to let people know what you are thinking by writing on your wall.
Me: Why would I write on my wall? I always like my walls to be clean and white! In fact, I am going to see if I can prevent others from scribbling on my neat wall as well..
Friend: Loosu..seri leave it. At least you can twitter, no?
Me: What am I? A sparrow?
Friend: But everybody twitters now. This is how people share their thoughts and opinions.
Me: But I already write a blog for that. If I want to force my opinion on people who refuse to read it then I will call them and let them know what I think. Who is going to be interested in where I ate lunch, which place I went to last night and how I "Juz feel lazy to go 2 work 2day". If Sachin tweets "I should have blocked instead of trying to drive that ball", it is worth reading. Who would be interested in knowing what a nobody like me feels looking at the sunset on a lovely summer night!
Friend: &*$#%@

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May 29, 2010

First look of the Semmozhi video for the Ulaga Thamizh Maanadu. Impressive track from Rahman, though I feel it has a much more contemporary feel to it than it should have in terms of the instrument used as well as the singers. Especially considering the fact that the conference is meant to serve as a point of discussion on the 'thamizh kalaacharam' (that includes the contemporary relevance of literary pieces such as Tholkaapiyam & Thirukkural) and spreading awareness to the current diaspora).

Gowtham Menon has tried to do a Mile Sur Mera Thumhara with the video but there lacks a distinct flow to it. I have no idea why Shruthi Hassan and Blaaze are even there in the video.

But anyhow...

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May 18, 2010

Like the saying "Ennadhaan naaya kulipaatti naduveetla vechaalum, adhu vaala suzhatindu therukudhaan odum nu", ivanunga ennadhaan adipaatalum thirundha maatanga polarke!

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Apr 27, 2010

Mani Ratnam

I like Mani Ratnam's movies a lot just like many others. Some of his earlier works are real masterpieces, with each subsequent movie of his exploring different genres with no similarity in the stories that would have made any Director predictable ala Shankar.

But what I don't understand and what makes me recoil with confusion bordering on hate is his obsession to simultaneously direct a version in Hindi. Why does he want to do that? Imagine filming two movies at the same time. Irrespective of both having the same storyline you still have to manage different cast, schedules, slightly modified screenplay to suit different audiences, etc. Why this masochism? What does he get out of it? Is the recognition and pleasure of seeing the movie run successfully in Tamil too small to satisfy his über sized ego? He wants his 'art pieces' to be applauded by all of India? Is the desire for wider recognition driving him to do this crazy stuff? Wasn't he recognized as a great director till Iruvar? Then why does he have to bend backwards to cater to a bigger audience? I myself can think of 10 answers to this but still none of them make sense.

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Apr 26, 2010

"..more than the game, there was more pressure from my friends for passes. i had never felt so much pressure before...." - MS Dhoni during the toss interview. One reason why Chennai won. The other reason being of course Mumbai sucks which was why they cleanly took Hayden's catch while dropping Raina's.

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Apr 25, 2010

Kaasedhan Kadavulada

"Dooode!! Are you ready to be thrashed? Bewarrre". The threats from my colleague, who is from Bombay, only increased in frequency since that first call. He seems more excited that Chennai made it to finals than me. Immediately, plans were made to watch the finals together duly accompanied by more threats of 'thrashing', 'clobbering', 'smashing' and other superlatives that only war-mongering American Presidents can think of.

Soon after our PC offered to resign following the Maoists attack, which was categorically rejected by our Honorable PM, a member of Twitterati (which is no way related to the Illuminati, lest Dan Brown gets all too excited about writing a book in which Robert Langdon reveals the truth behind the covert operations of the BCCI/IPL with trip to exotic locales such as the BCCI's head office in Mumbai aided by cutting edge technologies such as the MRF blimp) has been asked to resign. My glee at the guillotine that has been falling can be expressed only to some extent through words. Scenes of Modi's head & hands wedged between the wood waiting for the guillotine to fall (even as he tweets from his Blackberry "@unsuspectingmedia: i wonder how individuals & companies had so much money to spend on ipl teams. fishy isn't it? ;) " ).

As this year's edition of the grand circus draws to an end, Modi has redefined the very definition of commercialism. The viewers have been caught unawares with the modern technological marvel that the blimp is. The sheer awesomeness of it is mindboggling. I, like million other viewers, was wondering after the first few matches what is so special about the balloon suspended 100 feet above the ground. But the organizers cleverly withheld the secret till the semi-finals. After impatiently scratching around for 3 matches and 12 time-outs, it eventually dawned on me. It is amazing. The MRF blimp is the first ever object in the time-space continuum to be there at a location; yet not quite there. The camera kept panning out to the giant screen on the ground which shows the blimp every now and then, even as Sivaramakrishnan and Danny Morrison croon in unison with ecstasy on sighting the blimp. Obviously, the blimp is over the ground as per the assertions of all the commentators yet it can be seen only on the giant screen! Awesomeness. In fact, the blimp is so popular that people are flocking stores to get a model that can float around their living rooms.

Meanwhile, as the Overlord of the IPL sinks deeper and deeper into the quagmire, there are great expectations that the entire cricketing structure is going to be revamped. By cricketing structure, we are referring to the people who can make the big bucks and rub shoulders with Mukesh Ambani, Siddharth Mallya (No, it must be Vijay Mallya, I think, because Siddharth Mallya is only seen rubbing shoulders with Deepika Padukone) etc. There are even some preposterous rumours that Ravi Shastri would be given an important post. Maybe a good thing. If he can shout at the franchise owners half as much as he shouts during the toss then running the IPL would be a piece of cake. But Modi is reported to be unfazed as of now, challenging the BCCI to try and sack him as the IPL commissioner. With nobody seeing any light at the end of this tussle, the prescient Sachidhaanandha Swamigal (now that he doesn't have to attend training sessions till the finals because of injury on his hand, suddenly finds that he has lots of time on his other uninjured hand) has predicted that the IPL will overcome the crisis. But there are reports that Modi is showing no signs of let down. In fact, for the closing ceremony of the game (which would be yet another grand ceremony that usually begins with pledging for green, blue, pink and all other color coded environmental benefits and ends with spectacular fireworks display and 1 million kW of electricity consumed for the lights and the show) it is believed that Modi will make a spectacular appearance by descending from the 'Technological Marvel' MRF blimp (complete with a cape and everything thereby laying to rest all doubts of his perceived superhuman qualities) and would declare the entire tournament a grand Citi 'Moment' of Success.

So amidst all these distractions the focus shifts to the DY Patil stadium (which is staging the 10,347th match in the last 3 years) after the bomb blasts in Bangalore stadium 'forced' the organizers to shift the venue to the safest city in the world where the spectators known for their knowledge of cricket will come in full attendance for the neutral matches (Take that you dumb Chennaiites). Here is hoping Sachin is fit to play (otherwise even if Chennai win all the bloody Mumbaikars and Maruticars will be saying 'only because He wasn't playing') and Chennai thrash them and execute on Mumbai all the other forms of mutilations that my Mumbai (or Bombay. Whatever dude! It doesn't sound half as cool as Madras) friend talks of inflicting on the CSK team. If not, then I would have to wear that stoic face only a 'rathathula Chennai oori ponna' people can pull off and say "Its ok dude, it was a good game, I am happy that we came to finals, so many positives, Vijay, Ashwin, etc." and then to quote Dhoni's "from the semis it is just a lottery..".

P.S.: Watching people like Gavaskar, Shastri and even Bhogle struggle between the by-now well honed instinct of praising anything Modi-sque and then refraining because of the controversy he is in right now is amusing. Bhogle 'aathu aathunu aathifies a sorpozhivu' on Cricinfo where he half assails Modi and then retracts to shower praises on how Modi single handedly made IPL into a behemoth etc. Only because he is still on the payroll of you-know-who. All hypocrites, I say.

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Mar 24, 2010

In today's Read as section:

Car manufacturer Daimler AG will pay $185 million to settle a criminal investigation in which the company is accused of paying tens of millions of dollars in bribes to officials of at least 22 foreign governments..


Read as, "Car manufacturer Daimler AG will pay $185 million as compensation to the Justice Department & the Securities and Exchange Commission to appease them after pleading guilty on charges of not adopting a universally fair standard of bribing."

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Mar 21, 2010

Alice in Wonderland

I have been wanting to check out the nearby IMAX theater for quite some time. Not because I have never been to an IMAX before but just that I have not been to this one before.

The movie was really amazing and worth being seen in a 3D IMAX if you have one near you. The story was nothing great. The end is totally predictable and so are quite a few scenes in between. But seeing some of the legendary characters such as the White Rabbit and the Cheshire cat (and the Mad Hatter, of course) with some top class animation made the movie special. The story is a take off from Lewis Carroll's original Alice's Adventures in Wonderland and Through the Looking Glass. Alice is 19 years old and about to be asked for marriage by a Lord. Finding these sudden rush of events difficult to handle, Alice tries to bide some time by running away from the party thrown out for this occasion. She sees the White Rabbit and follows it to the burrow of the tree that is the entrance to the Wonderland.

Johnny Depp plays the Mad Hatter and Anne Hathway plays the White Queen. Johnny Depp really doesn't have to do anything different than what he did in the three editions of the Pirates of the Caribbean movies. The swagger in his walk, the lilt in his talk and the animated gestures are quite familar to everyone and fits the role perfectly. Anne Hathway doesn't have much role to play and other than grinning wider than the Cheshire cat. And oh, there is the Cheshire Cat.

Easily, my favorite character of the movie which is saying something as it beats my default overwhelming favorite, Johnny Depp. The cat's character is quite...hmm...what is the right word for it...yes, magical. The fluid appearances and the disappearances, the way it saves the Mad Hatter and its mystical dialogues makes it the star of the movie. Only later did I realize that the voice for it was by Stephen Fry! The voice for Absolum, the dreamy yet wise old Blue Caterpillar, was by Alan Rickman (of Severus Snape fame).

It is a movie worth seeing if seen in an IMAX. Not sure about its impact on an ordinary 2D screen.

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Mar 16, 2010

Quote of the day

நான், ரொட்டி என்று சொன்னால் உதடுகள் ஒட்டாது; பரோட்டா, சப்பாத்தி என்று சொன்னால்தான் உதடுகள் கூட ஒட்டும்.

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Mar 5, 2010

Thamizh Padam

What do you call a movie, for which the dialogues are not by Crazy Mohan but still ends up providing the same kind of entertainment? A movie where you had to pause some scenes so that you can finish your laughter so as not to miss the next quip or dig that would immediately ensue? Only one way to describe: Utterly brilliant. (A friend of mine said we should not pay to watch Thamizh Padam as it is produced from our tax money (guess why!) anyway)

The movie is a 2.5hours of non-stop good humored dig at every watershed movie and cliche of Tamil cinema; and the best part is that it has been handled with some real class. When you make fun of movies, you are invariably forced to infuse some crassness in it. Lollu Sabha did a wonderful job of it but if you have seen lot of its episodes you would know what I mean.

The movie is about Siva, who is born in a village but comes to Chennai with the aim of becoming a Superstar in movies. Mirchi Siva plays the protagonist in the movie and one could not think of a better choice for the character. He convinces his Paati not to kill him with branded kalli paal and instead take him to Chennai where he can become an actor. How he ends up achieving his only goal in life forms the rest of the movie. I could narrate the entire story here but it is tiresome and also useless because the story is not what the movie is about, even though it is coherent enough. But some of the scenes do warrant a special mention.

The hero is still a boy when he witnesses few rowdies thrashing some people. He wishes to grow up soon so that he can fight those baddies. So his Paati (Paravai Muniyamma) advises him to pedal a cycle that is 'parked on its stand'. The confused boy does so and the camera pans to his feet and then in the next few seconds the grown up hero has arrived! After the baddies are thrashed the hero gets the opening number where he refers to himself as not only a pachai thamizhan but also a pink, blue and yellow thamizhan! It is really hilarious when you see it as a video. The hero also gets angry when the dance master jumps in and starts dancing with him stealing away his limelight ala Prabudeva in recent Vijay movies!

There is this mystey person called 'D' who the hero is fighting. First, he takes on D's main henchmen. The first encounter is a spoof of Thalabadhi and the following scene of Devaraj visiting Ramana in hospital brings down the roof. The 2nd encounter with the villain is a spoof of Rajini's faceoff with Raghuvaran in Baasha. It is a riotous moment when the hero says 'kanna konjam ange paaru' to show his hidden bodyguard and the camera pans to an imitation of Kandhaswamy doing his seval movements. The 3rd encounter is a spoof of Dhool when he saves a young guy from being molested by the female villain! The scene where he offers his shirt for the guy to cover himself with is rib tickling. The 4th villain is killed during a spoof of Anniyan's buffalo stampede scene.

Siva is friends with three others - MS Bhaskar, Venniraadai Murthy & Mano Bala. And guess what their screen names are? Nakul, Bharath and Siddharth! The scenes involving the four are terrific as they go about in Boys style trying to woo girls and discuss life in general. My only disappointment was that MS Bhaskar and Mano Bala did not have much screen time though Venniradi Moorthi (Bharat) makes full utilization of the extra screen presence he had. The two scenes where he says he found a girl using Orkut & Facebook and he refuses to sleep saying he is going to study for semester exams cause spontaneous laughter.

The hero has a love interest as is typical of any movie. The scenes in which the lovestruck hero sees his girl's face everywhere including toilet doors, women fighting for water and a funeral procession deserve mention. The heroine's dad refuses to give his girl (of course) because the hero is not rich enough. So the furious hero works hard ala 'Vetri Nichayam', 'Vetri Kodi Kattu' and in the span of 5 minutes becomes a millionaire and opens many business ventures including Siva Electricity Board, Siva Beach, Siva Mortuary etc. When the hero returns to his future father-in-law's house as a rich man at the end of the song, the FIL is taken by surprise as the coffee he asked his servant to make when the hero left is given to him at the same moment the hero returns. He is dumbfounded and can only utter, "Adhukullayaa?". Brilliant!

During the engagement ceremony, a casual remark by a person that Siva doesn't know his parents makes Siva go in search of them. This is where the movie really takes off in humor leaving the first half in a shade. As Siva and Bharat travel to his native village, Cinemapatti, they meet a villager (played by Shanmugasundaram). The following scenes abound with several references and spoofs including that of Raj Kiran, Ramarajan, Ramanarayan and a slight bow to Kamal & his controvery ridden film Virumaandi.

The twist in the end is not that Siva is a police officer (!) under cover but that 'D' is none other than his paati (Paravai Muniyamma). Even AR Rahman is not spared, as the movie ends with a lighthearted take on his now famous statement "Ella Pughazhum Iraivanuke. I really had to pause the movie control my laughing at this stage. Such was the impact of scenes such as this.

There are references to several movies such as Mozhi, 7G Rainbow colony, Nayagan, Sivaji, Ghajini, Mouna Raagam. Nobody can maintain their equanimity after the heroine solemnly states that she is a great fan of SJ Surya and TR and proceeds to see Veerasami DVD saying "Idhu kadhai alla, Kaaviyam".

There are two noteworthy songs in the movie other than the opening number (Pacha Thamizhan). One is the OmaahaZeeyan which is a duet song made up purely of all the nonsense uyalaalas and ballaelakas of Tamil Cinema. The other is an item number that is a tongue in cheek reference to the all too common item numbers of contemporary Tamil Cinema. But the surprise element here is the item girl: Kasthuri. The dhaavani clad heroine of yesteryear movies goes full blown in this song (and to say the least, she looks hot!!)

It is a neatly packaged movie with intelligent sense of humor that opens up a new genre for Tamil cinema.Kudos to the Script writer of the movie who stitched together a taut screenplay. It is so easy to drift away when trying to include so many references but still he has managed to make the scenes flow coherently.

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